It is one of three principal structures atop the highest vantage point in the city and a series of stelae was set in front of it that described the military campaigns of Itzamnaaj B’alam II. The three lintels over the doorways in this structure were Lintels 15 through to 17, although they were removed in the 19th century and are now in the British Museum in London. The lintels were commissioned by K’inich Tatb’u Skull II, their original location is unknown, being reset into Structure 12 in the 8th century by king Bird Jaguar IV.
It is in a good state of preservation and has six doorways, three facing the plaza and three facing the river. The dynasty of this first king would grow the tiny settlement into one of the most mighty city-states in all of Mesoamerica. Once you accept YPP terms and link an active AdSense for YouTube account, your channel will automatically be put in a review queue.
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- This structure also had doorways facing both the river and the Main Plaza.
- It is part of a series of three lintels bearing a continuous hieroglyphic text detailing the birth and accession of king Bird Jaguar IV.
- This series of lintels are among the finest relief sculpture surviving in the Maya region.
- These lintels, together with the stelae erected before the major buildings, contain hieroglyphic texts describing the dynastic history of the city.
The lintel depicts Bird Jaguar IV and his wife Lady B’alam Mut participating in a bloodletting ritual. It is sculpted from limestone and was originally set above the northwest doorway of the central room. Lintel 17 was another lintel from a doorway in Structure 21 that is now in the British Museum. It was sculpted from limestone and was originally set above the central doorway of the central room. Lintel 15 depicts Lady Wak Tuun, one of the wives of king Bird Jaguar IV, during a bloodletting ritual that results in the appearance of the Vision Serpent.
Ausgrabungsstätte Yaxchilán in Chiapas – Welcome to the Jungle!
It is 80 kilometres (50 mi) downriver from the Maya site Altar de Sacrificios. The site lies in Ocosingo Municipality in the state of Chiapas, on the Mexican side of the international border with Guatemala, which follows the line of river. The site is 40 kilometres (25 mi) upriver from the ruins of Piedras Negras, its major rival. Epigraphers think that the ancient name for the city was probably the same as that of its realm, Pa’ Chan. Architectural styles in subordinate sites in the Usumacinta region demonstrate clear differences that mark a clear boundary between the two kingdoms. Yaxchilan (pronounced ʝaʃtʃiˈlan) is an ancient Maya city located on the bank of the Usumacinta River in the state of Chiapas, Mexico.
Two sculptured altars are located in front of the structure, which still has the remains of a perforated roof comb. The temple facade has four doorways, with three doorway-sized niches between them. The structure is a temple with rooms spread over three levels, linked by interior stairways. It contains Lintels 38 through to 40, which have been reset in their original positions.
- The structure is a temple with rooms spread over three levels, linked by interior stairways.
- The events depicted on the lintel are described as having occurred “in front of the water of Siyan Chan”, a reference to the main plaza of the city being located on the shore of the Usumacinta River.
- The upper side of the stela depicts king Bird Jaguar IV and his father.
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- The hieroglyphic inscription on the lintel is unusual, being reversed as if it were meant to be read in a mirror, although the significance of this is unknown.
Hieroglyphic inscriptions dating to the Late Classic describe a series of wars in the Early Classic between the city and its neighbors. The city-state then grew to a regional capital and the dynasty lasted into the early 9th century. Some retrospective inscriptions appear to have been used to rewrite Yaxchilan’s dynastic history to suit king Bird Jaguar IV.
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The structure is located in the Central Acropolis close to one of the ballcourts. Structure 8 is located in the Main Plaza in front of Structure 7 and divides the plaza into northwestern and southeastern sections. The structure has a surviving perforated roof comb and is believed to date to the Early Classic. The facade of the building facing the plaza has a surviving frieze with a sculpture of a head. The site is aligned with relation to the Usumacinta River, at times causing unconventional orientation of the major structures, such as the two ballcourts. The site contains impressive ruins, with palaces and temples bordering a large plaza upon a terrace above the Usumacinta River.
Lintel 31 is another part of the series of three hieroglyphic lintels set into Structure 10. It is part of a series of three lintels bearing a continuous hieroglyphic text detailing the birth and accession of king Bird Jaguar IV. It is one of a series of three lintels that https://pin-up-download.in/ were set above the doorways of Structure 23, this one having been set above the southeast doorway. Each of the three doorways contained sculptured lintels and two hieroglyphic steps.
Structures
Yaxchilán was an important player in classical Mesoamerican geopolitics and commanded the loyalty of several other city-states in the region. Yaxchilán is an ancient Maya city on the western banks of the Usumacinta River, which serves as the border between the Mexican state of Chiapas and Petén in Guatemala. Channels will lose monetization when they violate any of the YouTube channel monetization policies. If you’ve met the threshold and applied for YPP, we’ll still review your channel for YPP suitability. Our team will review your channel as a whole to check whether your channel meets our YouTube channel monetization policies.
Yaxchilan: Verstecktes Juwel der Maya-Kultur
It was discovered during excavations of the structure in 1984. Lintel 50 is set into Structure 13 in the Central Acropolis. The king is shown preparing for a battle that took place in 755, his wife is offering him his spear, she is Lady Wak Jalam Chan Ajaw from the site of Motul de San José in the Petén Lakes region of Guatemala. Lintel 41 was set above the south doorway of Structure 42 in the West Acropolis.
The events depicted on the lintel are described as having occurred “in front of the water of Siyan Chan”, a reference to the main plaza of the city being located on the shore of the Usumacinta River. The structure had a series if carved limestone lintels that depict Bird Jaguar IV’s efforts to consolidate power, emulating events carried out by his father Itzamnaaj B’alam II. The structure overlooks the plaza and the river and would have been prominent to river traffic in the 8th century. This structure also had doorways facing both the river and the Main Plaza. The doorways that open onto the plaza were blocked up in antiquity and new doorways were cut into the sides of the structure.
Stelae 12 and 13 stand before structure 40 and Stela 11 once stood between them. It has been restored and also has three doorways opening onto a single room and the remains of a perforated roof comb. It has three stepped doorways that open onto a single, irregularly shaped room. Leading up to the front of Structure 33 from the plaza is a stairway, the top step of which is sculpted, this step is known as Hieroglyphic Stairway 2. The roof of the structure is largely intact, including a sloped roof supporting a frieze and a well-preserved roof comb. In the centre of the back wall of the structure, opposite the central doorway, is a niche containing the headless sculpture of a human figure, probably Bird Jaguar IV himself.
A sajal (subordinate lord) of Itzamnaaj B’alam II was captured by the enemy city, an event that is completely absent from inscriptions at Yaxchilán itself although, importantly, there is no false claim of victory. In 629, Bird Jaguar III was enthroned as king of Yaxchilan. Little is known of the history of Yaxchilan from 537 to 629, although four kings are known to have reigned in this period. Bird Jaguar II, the next king of Yaxchilan, captured a vassal of the king of Piedras Negras around 478.
Late Classic
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The stela was removed in 1964 and shipped upriver to Agua Azul to be flown to Mexico City for display in the Museo Nacional de Antropología. Unlike most of the other lintels at Yaxchilan, they are sculpted on their edges instead of the undersides. Lintel 26 was the third in the series set above the doorways of Structure 23, it is now in the Museo Nacional de Antropología in Mexico City. The hieroglyphic inscription on the lintel is unusual, being reversed as if it were meant to be read in a mirror, although the significance of this is unknown. The sculpted texts from this building provide an account of the 8th century resurgence of the city. Like the other two structures in the South Acropolis, it has three doorways that open onto a single room.
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